Mary E. Berning

      

sculpture

"Unconscious Compassion"

Compassion Compassion Compassion
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marble, 13"x19"x14 1/2"

   The title comes from an Andrei Tarkovsky film, "Stalker". In the film, one of his characters questions whether mankind is ready for "unconscious compassion". This is my personification of a quality that perhaps mankind is not yet ready for, hence the angel removing her from the earth. Traditionally artists have personified the virtues, here I revisit that tradition.


"Joan of Arc"

Joan_Of_Arc Joan_Of_Arc Joan_Of_Arc
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limestone, 19 1/2"x12"x8"

   Joan of Arc is both historical figure and a mythological figure. Artists have depicted her as representing mercy, heroism, nationalism and even peace. She has been shown alternately as an amazon and in the less threatening traditional female garb and poses. She was tried as a witch and later made a saint by the Catholic church. Both the French and the Germans used her in posters to promote their causes in WW II. Here I am looking at both christian and pagan traditions in her depiction. Joan and her saints, Catherine and Margaret are all representative of the Dianic tradition of virginal, strong women. Both of her saints spurned men and were matyred for it. Catherine emerges out of the wheel, the instrument of her torture, holding the sword of her oppressor. Margaret rises out of the mouth of a dragon (depicted here as part of the flames) also holding the sword of her enemies. Joan stands strong in the fire, seemingly unscathed by the flames. At Joan's feet is the fleur de lis, the symbol of France. The back of the sculpture depicts unknown women, who were matyred for witchcraft or being "different". In taking on this subject, I felt there were questions that the figure of Joan of Arc raises for us all, and that these issues are pertinent in today's discussions.


"Cleopatra"

Cleopatra Cleopatra Cleopatra
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marble, 8"x4 1/2"x10"

   


"Medusa"

Medusa Medusa
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limestone, 32"x10"x6"

   Michelangelo once called a Pope, a medusa, using the word as a synonym for monster. I, however, see her as a victimized mythological figure, who finds her strength through adversity. Her feet are stuck in stone as she is unable to move among men without creating havoc, yet she stands tall and proud. The arms behind her head are a traditional pose in sculpture signifying availability, not present here. Behind her, the hands are in the shape of a heart, signifying that compassion and strength are not mutually exclusive.


"Female Centaur"

Female_Centaur Female_Centaur Female_Centaur
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alabaster, 8 1/2"x8"x10"

   This piece is partially a response to Rodin's "Body and Soul" or "Centauress". In Rodin's work, the woman is struggling against her animal nature. Here, the centaur is in a relaxed stance, body and soul united.


"I Want To Live"

Want_To_Live Want_To_Live
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alabaster, 12"x16"x8"

   I've taken the title from an old Susan Hayward film, which pointed out the evils of capital punishment. It's a passionate plea, here depicted with the figure on her knees, her face heavenward.


"Curse Of Genesis"

Curse_Of_Genesis Curse_Of_Genesis
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wood, 43"x8"x10"

   


"Daphne"

Daphne
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wood, 20 1/2"x3 1/2"x1 1/2"

   


"Angel"

Angel Angel
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painted clay, 4 3/4"x4 3/4"x4"

   


"Woman's Humidor"

Humidor Humidor
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mixed media, 7"x7"x5"

   


"Come To My Window"

Come_To_My_Window Come_To_My_Window
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painted clay

   


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